Special Tour with Dr. Paul Crowe
Sunday, July 29 at 2pm
Sunday, September 9 at 2pm
Join Paul Crowe for a tour that will consider how Huang Yong Ping incorporates symbols and techniques associated with Chinese traditions of divination into the creation of his work, bringing to light shared resonances with postmodern insights into the nature of self. Free with Gallery admission.
Huang Yong Ping
11 June 2002 - The Nightmare of George V, 2002
concrete, reinforced steel, animal skins,
paint, fabric cushion, plastic,
rope, wood and cane seat
Collection of the artist
Installation view, Walker Art Center, Minneapolis
Photo: Gene Pittman
House of Oracles is the first retrospective of Huang Yong Ping, one of the most influential contemporary Chinese artists working today. Showcasing paintings, drawings and sculptural installations that evoke the fun house, diorama and menagerie, the exhibition celebrates an artist whose work elegantly traverses the divide between East and West, tradition and the avant-garde.
Renowned for his extravagant large-scale installations, the exhibition will feature more than forty works, including a monumental sculpture that positions a snarling tiger atop an elephant, a 100-foot long wooden python skeleton and the re-creation of a Beaux Arts-style bank using 40,000 pounds of sand. In addition to these spectacular installations, the exhibition includes significant early works from the artist’s career, reflecting his interest in ideas on chance, creative process and divination.
Born in Fujian Province, China in 1954, Huang Yong Ping formed the Xiamen Dada group in 1986. One of the most radical of the Chinese avant-garde artists’ groups active at the time, members were inspired by their interest in the work of Marcel Duchamp, Dada and the role of chance in art. The group’s subsequent activity, particularly Huang Yong Ping’s artistic production, are often considered among the first post-modern works in Chinese art and are credited for opening new channels for other Chinese artists, who until that time were predominantly influenced by the conventions of Socialist Realism.
Since his participation in the seminal exhibition Magiciens de la Terre at the Pompidou Centre in 1989, Huang Yong Ping has lived and worked in Paris and exhibited extensively around the world.
Organized by Walker Art Center, Minneapolis. Curated by Philippe Vergne, deputy director and chief curator, Walker Art Center, and made possible by generous support of Altria Group, E. Rhodes and Leona B. Carpenter Foundation, étant donnés: The French-American Fund for Contemporary Art, and the Andy Warhol Foundation for the Visual Arts, Inc.