Our Exhibits

The Vancouver Art Gallery presents exhibitions of work by artists ranging from historic masters to leading-edge contemporaries. These include major thematic exhibitions, presentations of solo artists and smaller, more focused showcases. In a typical year, 2 to 3 exhibitions are borrowed from other institutions and 10 to 12 exhibitions are developed in-house, drawing on our permanent collection and loans of works from around the world. In addition, the Gallery tours a few of its exhibitions each year.

Past Exhibitions

Susan Point: Spindle Whorl

February 18 to May 28, 2017

Susan Point: Spindle Whorl
Watch now: a preview of Susan Point: Spindle Whorl.



THUR 11am and 1pm
SAT 11am and 1pm

Weekly tours are FREE with Gallery admission.


Susan Point
Halibut (State I of II), 2007
screenprint on paper
Courtesy of the Artist

Susan Point
Salish Vision, 2002
red cedar, copper, acrylic
Courtesy of the Museum of Anthropology, The University of British Columbia, Vancouver, Canada, Salish Weave Collection, 3113/6
Photo: Janet Dwyer

Susan Point
Behind Four Winds, 2012
screenprint on paper
Courtesy of the Artist
Photo: Rachel Topham, Vancouver Art Gallery

Over the past three and a half decades, Musqueam artist Susan Point has received wide acclaim for her accomplished and remarkably wide-ranging oeuvre that forcefully asserts the vitality of Coast Salish culture, both past and present. During that time, she has produced an extensive body of prints and an expansive corpus of sculptural work in a wide variety of materials that includes glass, resin, concrete, steel, wood and paper. The range of techniques she has employed is as diverse as her selection of materials; they include screen and wood-block printing, wood carving, paper casting and industrial methods of cutting steel, while the scale of her work ranges from the intimacy of the jewelry she produced in the early 1980s to the monumental public sculptures she first undertook in the 1990s and continues to make today.

The Coast Salish spindle whorl has been a persistent motif in Point’s work since the beginning of her career. Comprised of a small (usually) wooden disk with a pole inserted through the centre, this tool was traditionally used by Coast Salish women to prepare wool that would be woven into garments and ceremonial blankets. Point has drawn upon the spindle whorl to provide a formal structure for her art while combining this motif with a uniquely Salish vocabulary of circles, crescents and curved triangles, elements that distinguish the art of her people from the formline-based art of northern Indigenous peoples.

While Point’s practice is informed by a profound respect for Coast Salish traditions, she has pushed the boundaries of tradition in her desire to articulate Salish culture in contemporary terms. When she embarked on her career there were few precedents for an Indigenous woman to carve or work with sculpture, as these were activities traditionally done by men. Nonetheless—as this exhibition shows—Point embraced both carving and sculptural work and has continually pushed the traditional form of the spindle whorl in extraordinary new directions.

Susan Point: Spindle Whorl will survey Point’s entire career through more than a hundred artworks that take the spindle whorl as their starting point. It will feature a number of new works made specifically for this exhibition and will be accompanied by an extensively illustrated 160 page hardcover book. The book is co-published by Black Dog Publishing and the Vancouver Art Gallery.

Organized by the Vancouver Art Gallery and curated by Ian Thom, Senior Curator-Historical and Grant Arnold, Audain Curator of British Columbia Art.

Major Sponsor:

Supporting Sponsors:
Hemlock Printers

Generously supported by:
The McLean Foundation

Visionary Partner for BC Artist Exhibitions:
David Aisenstat

Visionary Partner for Scholarship and Publications:
The Richardson Family

Support for the publication is provided by the Jack and Doris Shadbolt Endowment for Research and Publications.